Production 2010

Contemporary dance and multimedia performance for three female performers,
adaptable for any stage and site specific outdoor public space.

Complete description / Photo HD

First presentations: in the context of CorpusMedia 2010,
- 21 may 2010, Théâtre Marcel Pagnol, Villeneuve-Tolosane, 8:00 pm
- 29 May 2010, Mix’Art Myrys, Toulouse, 9:30 pm full video
- 19 June 2010, “Mouvements sur la Ville” Festival, l’Atelier, Montpellier 3:00 pm and 11:00 pm
- 16 July 2010,« Llunes d’esBaluard » Festival, Palma de Mallorca, Balearic Islands, 10:00 pm

Choreographic trio inspired by Hélène Cixous’ The Laugh of the Medusa and Australian poet Diane Fahey’s feminist poetry, Genesis 3:16 un-occults woman as a concept and exposes classical representations: women stuck in mythological stereotypes in the interest of power, women having to express according to dominant male discourse, women who cannot explore their black continent because “black is dangerous”. By associating dance, text, song, music, images and symbolic objects in a journey towards a feminine being-in-the-world, another vision is allowed to emerge.

Performers: Aude Miyagi, Anne Panjwani, Julie Pichavant
Music: David Fieffé
Video: Guillaume Bautista
Costumes: Aude Miyagi
Light design: Jean-François Langlois
Concept: Anne Holst
Artistic and choreographic directorship: Anne Holst, Jean-Marc Matos

Project description

Genesis 3:16 is part of a series of several recent pieces which deal with the theme of the relationships between the gender: Echo Room (2009), Nuit Ecran (2007), Lovely User (created for the Monik Festival, Odyssud, Blagnac, 2005).

With music, text and movement the performers embody these visions to give the audience an entertaining interpretation of the tensions between them.

Duration: 50 mn.

photos

(photos: Karine Labrunie)

“Digital performance” platform www.corpusmedia.eu

Edition 2010: May 26-29, Mix’Art Myrys (Toulouse), June (Montpellier), July (Palma de Mallorca)

Detailed program

CorpusMedia 2010 in Toulouse, Midi-Pyrénées.

Contacts: Guillaume Bautista, bautistaguillaume@hotmail.fr 06 72 89 38 07 (installations)

Jean-Marc Matos, kdmatos@wanadoo.fr 06 11 77 54 56 (installations, performances)

Marc Bruyère bruyere.marc@gmail.com (THSF, tetalab)

links tetalab: photos, videos, inspirations

For information about past events within the CorpusMedia platform, see www.corpusmedia.eu

Residency:  17-23 April 2010, National Center for Live Performance Writings, La Chartreuse, Villeneuve-Lès-Avignon (near Avignon)

Project presentation: 21 april, 6:30 pm
Telf: 00 33 (0)4 90 15 24 24 
www.chartreuse.org
lettre la chartreuse

complete dossier / Photo HD

Upcoming presentation: November 17, 2010, final version, Maison Salvan, Art-Science, Labège (near Toulouse)

Recent presentations: 15 Nov 2009, Centre for digital Production Le Cube, Issy les Moulineaux (near Paris) – 14 Nov 2009, workshop on “dance and physiological capture”

Production 2009-2010

Interactive dance performance.

Echo Room questions the domination of the other and the structure of relationships between men and women.  The choreography draws on the dialectics of the body which is inherited and socially constructed on the one hand, and lived and free to make choices on the other. The uncontrollable is juxtaposed with the controlled and imposes itself like an echo of the past.

Echo Room deals with the simultaneous perception of various states of one given reality embodied in a man-woman relationship through the use of physiological sensors. It questions the relationship between movement, physiology and psychological structures through a danced duo to be experienced by the audience in three spaces.  Each space emphasizes either the live dance; the physiological reactions-interactions of the dancers through sound, shape and colour; or the mental space of the dancers through reactive sound and video. This is achieved by treating information collected by sensors attached to the dancers which measure their physiological reactions: muscular tension, breathing, and heartbeat which allows for another real-symbolic-past-future space/time interpretation of the dance that we see unfolding before us.

In the site specific version the audience is invited to circulate in three separate spaces, inside of a given location. In the stage version the audience can experience the three spaces simultaneously either in the house or around the dancers on the stage itself as images and sound are projected on screens suspended on stage and on the walls of the house.

As part of CorpusMedia 2009, euro regional platform”Digital Performance”.

Duration: 50 mn

Venues:

November 15, 2009, Center for Digital Creation, Le Cube, Issy les Moulineaux (near Paris)

November 17,  2010, final version, Maison Salvan, Art-Science, Labège (near Toulouse)

Downloads:

Complete description.pdf |  Photo HD

(photos by Raphaël Kann)

12 February 2010,
Centro Cultural Matadero, Huesca, Aragon, Spain
www.huesca.es +tag Radar

Recent dates: short excerpts, Theater la Fabrique, CIAM, Univ. Toulouse the Mirail, 25 Nov 2009 and CorpusMedia event, Mix’Arts Myris, Toulouse, 5 Dec 2009

Gameplay transposes the language and technology of video games to a choreographic environment

where the dancer is confronted with challenges paralleling the notion of the physical test present in many rites of passage.  A performance in which a dancer is confronted with a visual and sonic semi-autonomous environment sensitive to her/his presence.

Premiere: November 2005, VAD Festival, Girona, Catalonia

Some recent venues and upcoming dates:

• 9 Nov 2005: Festival VAD (Video i Arts Digitals), Girona (Catalonia-Spain)
• 3 Dec 2005: Festival nuit numérique #3, Reims (Fr)
• 11 Dec 2005: Le Cube, Issy Les Moulineaux (Fr)
• 18 Mar 2006: Le Périscope, Nîmes (Fr)
• 17 November 2007: Digitalis Festival, Langogne, la Dr@aille, as part of the euro regional project CorpusMedia (Fr)
• 12-13 February 2008: Théâtre Universitaire, Nantes (Fr)
• 1st March 2008: lecture demonstration, NIAS, Bangalore (India)
• 24 Octobre 2008: Centre des Arts, Enghien-les-Bains (Fr)
• 27 February 2009: DiD Festival , Milano (Italy)
• 12 February 2010: Centro Cultural Matadero, Huesca (Spain) …

Links:

• Press
• Photos, tech rider, long video

Downloads:

Complete description-pdf | | Tech sheet | Detailed sheets | Link to Antoine Schmitt’s site

The mixed workshops that the K. Dance company proposes put forward simultaneously creative research on the tools of choreography in contemporary dance (tools of composition, dance / theater, expressiveness through the body in the broad sense, integrated with technological means), and the handling and adaptation of digital tools (multimedia, interactive devices, software, etc.) as applied to artistic production, in particular in the field of live performance.

They are adapted for both dancers and non dancers.

A final public presentation can be offered as a live performance or a screening in a particular space and time depending on the context of the accommodating structure.

Six different types of workshops are proposed: each one develops its own approach.

See video excerpts in  International (abroad and overseas projects)
and in Performances (projects in France for all audiences)

Workshop 1: Dance for the camera: making of short video dance films. Films

Final Cut Pro (for example). Final multiple screening.

Workshop 2: Body practise and live video composition. Live

Workshop 3: Body practise and interactive environments. Inter(actions)

(Isadora, Director, Pure Data, Max MSP, Jitter). Body sensors, optical sensors.

Workshop 4: Body practise with physiological sensors.   Physio

It can be accompanied by the presentation of the performance Echo Room

Workshop 5: Body practise and semi-autonomous interactive environment.   Game(s)

specially designed workshop which uses the interactive set of the  Gameplay performance, co created with artist programmer Antoine Schmitt.

See, for example, video excerpts on Game(s)

It can be accompanied by the presentation of the performance Gameplay.

Workshop 6: Body practise and telematics. E-Web

This workshop develops a danced dialogue between two (or more) distant teams through the use of a live broadcast internet platform.

It is based on the recent experiences performed by the company in between distant cities in France, with Mexico, with India.

See, for example, video excerpts on www.k-danse.net/tag/internet

The courses taught are the combined results of more than 12 years of teaching.

Anne Holst and Jean-Marc Matos have taught choreographic workshops at the Dance Department of the Paris 8 University, at the Paul Sabatier and the Mirail Universities of Toulouse, given numerous workshops on “dance and image” for professional dancers and non dancers, and experimental “dance and technology” for dancers and non dancers. They have been teaching students of visual art at the National Art School of Cergy-Pontoise (Paris) since 1996, and set up an experimental platform for “on line” dance related projects in 1998.

Their educational modules combine physical preparation, movement improvisation, live dance and video, choreographing with multimedia, and the implication of the body in multimedia art works.  They also give lectures related to the crossed fields of dance and new media.

In the context of these workshops, they propose to work with people with an interest in the bodily implication in multimedia art. The knowledge of a dance technique can be incorporated, but is not essential. Practitioners or students of visual arts, technology design, live performance (theatre, dance, etc), cinema, photography, video, multimedia etc. are equally welcome.  Nevertheless, all participants should be interested in being physically involved.

Production 2009-2010

Interactive dance performance.

Echo Room questions the domination of the other and the structure of relationships between men and women.  The choreography draws on the dialectics

of the body which is inherited and socially constructed on the one hand, and lived and free to make choices on the other. The uncontrollable is juxtaposed with the controlled and imposes itself like an echo of the past.

Echo Room deals with the simultaneous perception of various states of one given reality embodied in a man-woman relationship through the use of physiological sensors. It questions the relationship between movement, physiology and psychological structures through a danced duo to be experienced by the audience in three spaces.  Each space emphasizes either the live dance; the physiological reactions-interactions of the dancers through sound, shape and colour; or the mental space of the dancers through reactive sound and video. This is achieved by treating information collected by sensors attached to the dancers which measure their physiological reactions: muscular tension, breathing, and heartbeat which allows for another real-symbolic-past-future space/time interpretation of the dance that we see unfolding before us.

In the site specific version the audience is invited to circulate in three separate spaces, inside of a given location. In the stage version the audience can experience the three spaces simultaneously either in the house or around the dancers on the stage itself as images and sound are projected on screens suspended on stage and on the walls of the house.

Dancers: Benjamin-Aliot Pagès, Yuko Yamada
Music composer: David Fieffé
Video artist: Guillaume Bautista
Sensors engineering: Julien Marro-Dauzat
Computer programming: Théo de Lahogue
Concept: Anne Holst
Artistic and choreographic directorship: Anne Holst, Jean-Marc Matos

As part of CorpusMedia 2009, euro regional platform ”Digital Performance” and the “Pôle Art-Science-Danse” 2010.

Residency at the National Center for Live Performance Writings, La Chartreuse of Villeneuve-Lès-Avignon, 17-23 April 2010.

Venues:

Maison Salvan Art et Science, Labège, 17 november 2010

Center for Digital Creation, Le Cube, Issy les Moulineaux, 15 November 2009

Festival Empreintes Numériques, 29 April 2009
“Art Gallery” version Centre Culturel Bellegarde, Toulouse

Maison Salvan Art et Science, Labège, work in progress, december 2008 (as part of the CorpusMedia 2008 event)

Downloads:

Complete description.pdf |  Photo HD

(photos by Raphaël Kann)

Production 2005-2006

in collaboration with artist-programmer
Antoine Schmitt

Gameplay transposes the language and technology of video games to a choreographic environment

where the dancer is confronted with challenges paralleling the notion of the physical test present in many rites of passage A performance in which a dancer is confronted with a visual and sonic semi-autonomous environment sensitive to her/his presence.

Premiere: November 2005, VAD Festival, Girona, Catalonia

Some recent venues and upcoming dates:

• 9 Nov 2005: Festival VAD (Video i Arts Digitals), Girona (Catalonia-Spain)
• 3 Dec 2005: Festival nuit numérique #3, Reims (Fr)
• 11 Dec 2005: Le Cube, Issy Les Moulineaux (Fr)
• 18 Mar 2006: Le Périscope, Nîmes (Fr)
• 17 November 2007: Digitalis Festival, Langogne, la Dr@aille, as part of the euro regional project CorpusMedia (Fr)
• 12-13 February 2008: Théâtre Universitaire, Nantes (Fr)
• 1st March 2008: lecture demonstration, NIAS, Bangalore (India)
• 24 Octobre 2008: Centre des Arts, Enghien-les-Bains (Fr)
• 27 February 2009: DiD Festival , Milano (Italy)
• 12 February 2010: Centro Cultural El Matadero, Huesca (Spain) …

Links:

• Press
• Photos, tech rider, long video

Downloads:

Complete description-pdf | | Tech sheet | Detailed sheets | Link to Antoine Schmitt’s site

Production 2009

As part of the Festival La Novela K. Danse presents the Danse e-Toile project: Nataraja and the Cosmos, 17 Octobre 2009

Celebrating International Year of Astronomy 2009
Indo-French internet-streamed performance and event

Press clip from daily national Hindu 13/12/2009

An art-science collaboration between Sharada Srinivasan (Bharata Natyam dancer and Associate Professor, NIAS, Bangalore, India) and the team of K. Danse, France of Jean-Marc Matos and Anne Holst) on the crossed theme: mythology of the body/mythology of stars.

The event, taking place October 17 at the Cité de l’Espace, Toulouse from 2 :30 pm until 5 :00 pm, offers: 1/ a related photo, video and musical exhibition, 2/ an internet-streamed simultaneous east-west dance fusion performance across the venues of Indian Institute of Astrophysics (IIA) (CREST), Hoskote, and Cité De L’Espace, Toulouse by Sharada Srinivasan and Anusha Emrith, 3/ discussions between Indian and French astrophysicists, also in relation to Prof. Sharada Srinivasan’s researches linking the Nataraja imagery to stellar observations and also connections between astronomical traditions in the Orient and West including India and Egypt.

Program

- 2.30-3.30 pm French time; and 20 minutes online webcast: (6 pm onwards Indian time)

Thematic Photo-exhibition at Cité De L’Espace, Toulouse by Sharada Srinivasan

(artistic, archaeometallurgical & archaeoastronomical insights on Nataraja) and films by     Jean-Marc Matos

- 3.30-4.30 pm French time/7-8 pm Indian Time: ‘Danse e-Toile’ dance performance

- 4.30-5.00 pm French time/8-8.30 pm Indian time:

Online exchange between Indian & French scholars & astrophysicists

Artistic and scientific team

Artistic collaboration: Sharada Srinivasan, Anne Holst, Jean-Marc Matos

Dance: Anusha Emrith (France and Reunion-based contemporary dancer), Sharada Srinivasan (Bangalore-based archaeological scientist and Bharata Natyam dancer)

Music: David Fieffé; Bharata Natyam ensemble music led by late Guru Narmada & Srivatsa

Special live-streamed veena prelude by Geeta Navale; mridangam inputs by Gurumurthy

Invited scientist: Karine Guadré, « Docteur » in Astronomy, University of Toulouse

Supporting Agencies

In France: Festival La Novela (City of Toulouse), CulturesFrance (Ministry of Foreign Affairs), Cité de L’Espace (Toulouse), Observatoire de Midi-Pyrénées (University Paul Sabatier, Toulouse III), Théâtre Marcel Pagnol (Villeneuve-Tolosane),

x-réseau/Théâtre Paris-Villette, technological partner

In India: Alliance Française de Bangalore, Indian Institute of Astrophysics, Bangalore,

Microsoft, Saint-Gobain Glass India Ltd, JSW Foundation, Centre for Excellence in Basic Sciences, ISRO

Production et technical team: Rakesh Mannar, Sanjiv Gorkha, Rekesh Mohan, Digvijay Mallah

photos credits: Digvijay Mallah, K. Danse, Cité de l’Espace (Sandra Henry-Baudot)

Production 2008

Multimedia dance performance specially adapted for a scenic stage and for site specific architectural outdoor spaces.

Street Festival of Ramonville, 13 September 2008

(photos by Raphaël Kann)

Production 2008

The theme of  “Délices” is about dance itself and the understanding of what the word dance means.

Team:

• choreography, video: Anne Holst, Jean-Marc Matos
• dance:  Audrey Bodiguel, Julien Lecuziat, Yuko Yamada
• music: David Fieffé